In Tom Perrotta’s novel, The Leftovers (2011), and the TV series (2014–2017) based on the novel, 2% (140 million) of the world’s population vanish into thin air. The event constitutes a temporal rift that divides history into Before and After and inaugurates a new mode of temporality, marked by a break with a clock-time-based economy and a yearning for the ultimate end. This new mode of temporality is accompanied by the shattering of the individual sense of being-in-time. The essay focuses on the altered experience of time both on individual and collective levels, a condition that constitutes a kind of post-apocalyptic stress disorder. The characters’ reactions to the traumatic experience demonstrate that the inexplicability of the apocalyp...
An examination of six novels spanning one century of American post-apocalyptic anxiety-- The Scarlet...
Recognising the rise of fictional cult groups within contemporary post-/apocalyptic fictions, and co...
The article starts from a consideration of the first season of the TV series “The Leftovers” in orde...
In Tom Perrotta’s novel, The Leftovers (2011), and the TV series (2014–2017) based on the novel, 2% ...
This article examines the narrative strategies used in the television series adaptation of The Lefto...
HBO’s The Leftovers employs the typical post-apocalyptic equation. The audience follows a band of ch...
DL 57/2016/CP1453/CT0031 UIDB/00183/2020 UIDP/00183/2020publishersversionpublishe
The traumatic XXth century made humans believe their existence was getting close to an end. This wor...
Includes bibliographical references (p. 84-86).This project began out of curiosity about why our cul...
Focusing on two TV series, the French Les Revenants and the American The Leftovers, the essay aims ...
This thesis aims to study pre-apocalyptic narratives as a distinct form from other forms of apocalyp...
This thesis aims to explore the relationship between future, present and past in the context of memo...
In the inhospitable and ruined landscapes of post-apocalyptic fiction there are often found havens, ...
Textual genre criticism and close readings of novels and films reveal that, in addition to chronicli...
How does one discuss something as nebulous a concept as 'the post-apocalypse'? The term it...
An examination of six novels spanning one century of American post-apocalyptic anxiety-- The Scarlet...
Recognising the rise of fictional cult groups within contemporary post-/apocalyptic fictions, and co...
The article starts from a consideration of the first season of the TV series “The Leftovers” in orde...
In Tom Perrotta’s novel, The Leftovers (2011), and the TV series (2014–2017) based on the novel, 2% ...
This article examines the narrative strategies used in the television series adaptation of The Lefto...
HBO’s The Leftovers employs the typical post-apocalyptic equation. The audience follows a band of ch...
DL 57/2016/CP1453/CT0031 UIDB/00183/2020 UIDP/00183/2020publishersversionpublishe
The traumatic XXth century made humans believe their existence was getting close to an end. This wor...
Includes bibliographical references (p. 84-86).This project began out of curiosity about why our cul...
Focusing on two TV series, the French Les Revenants and the American The Leftovers, the essay aims ...
This thesis aims to study pre-apocalyptic narratives as a distinct form from other forms of apocalyp...
This thesis aims to explore the relationship between future, present and past in the context of memo...
In the inhospitable and ruined landscapes of post-apocalyptic fiction there are often found havens, ...
Textual genre criticism and close readings of novels and films reveal that, in addition to chronicli...
How does one discuss something as nebulous a concept as 'the post-apocalypse'? The term it...
An examination of six novels spanning one century of American post-apocalyptic anxiety-- The Scarlet...
Recognising the rise of fictional cult groups within contemporary post-/apocalyptic fictions, and co...
The article starts from a consideration of the first season of the TV series “The Leftovers” in orde...